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https://w.atwiki.jp/unjyou/pages/16.html
くるぶしゆーご 生存率高。占われ率低。誰か構ってください。 特徴 ミステリ関連用語を吐きます。 考察傾向 まず秋山の配役を推理してからスタート（やめれ）。 戦績 短期 3勝 5敗 (勝率 37%) 生存率 50%, 平均寿命 3.6日 村名 編成 勝敗 名前 役職 生死 3904村 ラン回廊ダム村 ランダム 【敗北】 情報屋 マイケル 妖魔 3日目 消滅 3761村 中身の見える回廊村 カスタム 【勝利】 幻龍斎 中身占い師（元神話マニア） 3日目 生存 3749村 妖しい回廊村 妖魔有り 【敗北】 酒場の主人 フレディ 占い師 3日目 生存 3747村 愛の回廊村 キューピッド 【勝利】 ユーゴー 占い師 3日目 襲撃 3737村 これが最後だ回廊村 ランダム 【敗北】 学者 カーク 共有者 4日目 襲撃 3735村 やっぱりランダムだよ回廊村 ランダム 【勝利】 かさじぞう 人狼 5日目 生存 3733村 ランダムな回廊村 ランダム 【敗北】 ねぼすけ ノック 共有者 4日目 襲撃 3731村 今日も回廊村 牛村 【敗北】 冒険家 ジェフ 村人 4日目 生存 長期 1勝 1敗 (勝率 50%) 生存率 100%, 平均寿命 6.0日 村名 編成 勝敗 名前 役職 生死 177村 ドキドキワクワク回廊村 キューピッド 【敗北】 司書見習い アン 村人 8日目 生存 156村 長期回廊村 カスタム 【勝利】 研究員 レイ 人狼 6日目 生存 中の人 ぶろぐ：http //qed-jp.com/ mixi：http //mixi.jp/show_friend.pl?id=183634 参加した村の感想（敬称略） 短期村 （近日公開） 長期村 156村 長期回廊村(2007/02/01-07)［1回目／人狼／研究者 レイ／勝利／生存］ 長期村初参戦。人狼も人間も片っ端から解剖する、と言う狂人研究者を演じるも、何故か占いの俎上にすら上がらず。秋山、言村?、踝とゆー「回廊わるものトリオ」の前に村は翻弄され、残り6人の場面で狂人吊りに成功し、突然死があったとはいえ見事人狼勝利を迎えることが出来た。 177村 ドキドキワクワク回廊村(2007/02/17-24)［2回目／村人／司書見習い アン／敗北／生存］ 村人選択し、とっとと死んで墓下から気楽な観戦をしようと思っていたが、蓋を開けると最後まで占われず襲われず、純灰のままLWまで行ってしまう始末。この時の相手方は奇しくも前回共闘した秋山と言村?だったが、二人の思考を読み切れず最後に見事に油断したのが運の尽き。相手のCOを簡単に信用するな、ってことかね。 コメント 考察傾向に笑いました「これはひどい」タグをつけたいですね。 -- sinden (2007-02-24 03 28 31) 177村お疲れ様でした。最後まで占われないままに白く見られるというのは、村人にとって最高の名誉ですよ。おめでとうございます。 -- sinden (2007-02-25 00 10 11) 前回（156村）もまんまそうでしたからね。自分誰も構ってくれないんじゃないかとちょっと心配になってます（笑）。 -- ykurubushi (2007-02-25 00 25 06) 名前 コメント カウンタ 合計 今日 昨日 - - -
https://w.atwiki.jp/xbox360score/pages/1919.html
Monaco What s Yours is Mine 項目数：12 総ポイント：400 難易度：～200前後 ★★☆☆☆ ～400 ★★★★☆ 製品情報：マーケットプレース(北米) 配信日：2013年5月10日 DL費用：$14.99(旧1200MSP) ジャンル：Other, Action Adventure ☆国内未配信 シングル・COOPとも後半面は難易度が高く、ゲームシステムを熟知することが必須となる。 COOP実績は仲間次第だが野良では厳しいだろう。 Slippery Finish The Prison Break with a score under 1 10The Prison Breakを1 10以内にクリアする 10 Massacre Kill everyone in a mission任意のミッション中に敵を皆殺しにする 20 Silent Withdrawal Complete Banque Albert without being seenBanque Albertで発見されることなくクリアする 20 Technician Finish any mission in single player with only wrenchesシングルプレイの任意のミッションでレンチだけを使いクリアする 20 Bring the Bleach Use C4 to gib three attacking guards simultaneously without dying in single playerシングルプレイでC4爆弾を使い死ぬことなく警備員3人を攻撃する 20 Dem Bones Revive an online teammateオンラインでチームメートを蘇生する 10 I Work Alone Complete Campaign Act I Single PlayerシングルプレイでキャンペーンのAct Iをクリアする 60 Whacked Win an online PvP matchオンライン対戦で勝利する 40 A Gentleman s Agreement Complete Campaign Act IIキャンペーンのAct IIをクリアする 60 Unscathed Complete each mission once without dying全ミッションを死ぬことなくクリアする 40 Time To Retire Achieve all four trophies on every solo and co-op missionソロおよびco-opのミッションで全4種のトロフィーを獲得する 80 秘密の実績 Play It Again Sam Play an entire song on the piano with 3 playersプレイヤー3人でピアノを1曲まるまる演奏する 20 特に断りがないものはシングルでもマルチでも解除可能 Slippery Locksmithで解除。Cleaned Outすることが前提であるが最後の建物内のコインの配置に若干ランダム性があるので運も少々絡む。 最短ルートを通る必要があるが、途中のセンサーは停電させず素通りしたほうが早い。 Massacre Locksmithのストーリー、HIJACK AT THE HAIRPINなど序盤のシナリオで容易に解除可能。 Cleaned Outを狙ったほうが弾数が増えて当然楽。 なおショットガンは貫通性能があるので敵をまとめてから倒すと弾の節約になる。 Silent Withdrawa Locksmithのストーリー、BANQUE ALBERTで一度も敵に発見されずにクリア。 地下(外)→地上（銀行）→地下(銀行地下室)→地上（銀行）と進むステージ。 Moleで穴を掘る方法が最も簡単だろう。 →参考動画(Youtube) Cleanarを使ってガードを全員眠らせる方法もある。 →参考動画(Youtube) Lookoutを使う場合 銀行へは南側のドアから侵入、銀行地下室への階段の前にガードがいるが、南東の部屋にある変装を利用する。 トロフィーのある部屋のセンサーは手前のコンピュータ室の南のコンピュータをハッキングして解除。移動には植え込みを利用しよう。 帰りも階段前にガードがいるが、電話の呼び出しで居なくなるのを待つのがよい。ガードに近づき過ぎないようにロビーを通って逃亡。 Technician Locksmithのストーリー、CENTRE HOSPITALIERで解除可能。 最初のレンチを拾ってそのままアイテムを交換せずにクリアすればOK。道中にボウガン(麻酔銃)があるが無視しよう。 変装は可。ミスによってプレイヤーのクラスが変わっても構わない。 レンチは解錠のほか、殴りにも使えるので道中でコインを集めたほうが殴れる回数が増えて楽になる。 Bring the Bleach Moleを使用。Locksmithのストーリー、QUARTIER DIAMANTで解除可能。 死ぬこと無くトロフィーを4つ集めた後に、C4でトリプルキルをすると解除される。 狭い通路で使うのがコツ →参考動画(Youtube) Whacked PvPマッチは、Locksmithのストーリーを全部開放するとエピローグとして登場する。 相手を倒して4つのトロフィーを回収し車に乗り込めば勝利。
https://w.atwiki.jp/touhoukashi/pages/4959.html
【登録タグ EPIC FAITH ESQUARIA R ゆーな 信仰は儚き人間の為に 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/qwerty1657/pages/30.html
Making a Call Using SIP – Quick Start Scope Introduction Prerequisites Connect Hardware Configure the Tenor Make First SIP Call Scope This document covers the configuration of the Tenor AS/AX/AF/BX/DX/CMS Gateway products.This quick-start guide enables you to configure a single phone call on a Tenor using SIP.As a test, you can send the SIP call through a publicly available Proxy Server maintained by Quintum Technologies. Introduction SIP (Session Initiation Protocol) offers a new level of mobility for IP calls, as well as integration of call-related services.Routing in SIP is accomplished by using two servers Proxy and Registrar.Because in most cases you will point to the same box and configure the same IP address for both servers, the Quintum Tenor combines the two. The Proxy Server maintains a table of IP addresses and their corresponding Directory Numbers.This table is used by the Proxy to find the right place to send your call.When you dial a number, the Proxy looks up and finds out where the call must be sent.That information is used to route the call for you. Prerequisites The Tenor s system software must be version P103-08-00 or later (which includes SIP).To find out the version number, Telnet into the unit and type show –v. Ensure you have your Tenor ready for connection, located on a LAN that is connected to the Internet. For the purposes of this quick start, your connection to the Internet is assumed to be through a DSL or cable connection.Other gateway connections are possible; use the principles in this document as a guideline for configuration. Connect Hardware Your Tenor needs to be connected to your LAN.If you have already set it up, you can jump to the next section, Configure the Tenor.Otherwise, you will need to achieve a few basic steps. Assign the Tenor an IP address.Connect the Tenor directly to the PC with the supplied serial cable.Power up the Tenor and open a HyperTerminal session (or use another terminal emulation program).Assign the Tenor an available IP address on your LAN. Make the Tenor IP address publicly available.When you connect the Tenor to your LAN (using the supplied Ethernet cable), you should list the Tenor in the DMZ of your gateway router.This allows your Tenor to have a publicly accessible IP. Caution The gateway router serves as a firewall to protect your LAN from malicious intrusion.Place the IP address of the Tenor in the DMZ so that callers may access your Tenor, even though it is "behind" a firewall.Please change the Tenor s administration password as soon as possible to prevent malicious intrusion. Determine the WAN IP.When you are configuring the gateway router, use its software to find out the WAN IP that the router has received from your ISP. Once the Tenor is connected to your LAN, you can configure the unit using Tenor Configuration Manager, and make a SIP call. Configure the Tenor Note The instructions below include information for making a test SIP call using a Proxy Server maintained by Quintum Technologies.You can hear a Quintum recording as a test of the first call. Launch Tenor Configuration Manager, and when prompted, enter the IP address that you assigned to your Tenor. Systemwide Configuration From the main menu tree, select System-Wide Configuration Dial Plan General tab. In the Country Code field, enter the dial code for the country where the Tenor is located, and in the Area Code field, enter the area code for the DN from which you are calling. Adjust the Minimum and Maximum Dial Digit Length, as required. Change Long Distance and International Prefix for local dialing rules, as required. Click Confirm/OK. From the top menu bar, select File Submit to submit the changes. VoIP Configuration From the main menu tree, select VoIP Configuration Gateway.In the Outgoing IP Routing field, click on the SIP only radio button.Click Confirm/OK. From the main menu tree, select VoIP Configuration SIP Signaling Group-1.On the General tab, change the Register Expiry Time to 30.In the Primary SIP Server field, enter the IP address 12.176.187.191.Click Confirm/OK. On the User Agent tab, click Add to display the Add User Agent dialog.Enter your full international format phone number in the Primary User field (such as 17324609000), and enter an alternative number in the Contacts[1] field.Click OK on the dialog, then click Confirm/OK at the bottom of the window.From the top menu bar, select File Submit to submit the changes. Circuit Configuration From the main menu tree, select Circuit Configuration Line Routing Configuration Hunt LDN Directories Hunt LDN Directory-pub1.Click Add to display the Add Hunt LDN Number dialog.Enter your phone number without area code (for example, 5551000) in the Number Pattern field.Click OK, then click Confirm/OK at the bottom of the Hunt LDN Directory-pub1 window.From the top menu bar, select File Submit to submit the changes. Select Circuit Configuration Line Routing Configuration Line Circuit Routing Groups Line Circuit Routing Group-phone.On the General tab, in the SIP User Agent field, select the User Agent that you defined previously from the drop-down box.Click Confirm/OK at the bottom of the window.From the top menu bar, select File Submit to submit the changes. Phone (FXS)/Line (FXO) Configuration From the main menu tree, select Phone (FXS)/Line (FXO) Configuration.Under Analog Online Setting for Phone-Line/FXS-FXO Pair, enable Phone-Line 1 and enable Phone-Line 2, if required, by checking the checkboxes.Click Confirm/OK at the bottom of the window. From the top menu bar, select File Submit to submit the changes. Give the Proxy s Registrar a minute or two to store the registration information. Make First SIP Call Dial the first call using Quintum s DN for test purposes 17324609000.The call is then sent to our test Tenor.After a few rings, an answering machine picks up the call, your call is completed, and you should hear the greeting played back to you.
https://w.atwiki.jp/sps_eng/pages/9.html
Discography CD PIMPIN Suffocation PIMP MASTER SUMMER GODDESS Crush! Pimp Of The Year DVD SOIL& PIMP SESSIONS LIVE in LONDON+
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MIT OpenCourseWare ＞ 6.170 Laboratory in Software Engineering, Fall 2001 ＞ 6.170 Laboratory in Software Engineering Lecture 1 MIT OpenCourseWare 6.170 Laboratory in Software Engineering, Fall 2001, Lecture 1 Introduction のまとめ ラジオの方では vol.1 にあたりました。Lecture Noteを読むときの助けにしてください。 6.170 Laboratory in Software Engineering, Fall 2001のLecture NoteのPDFはこちら (※2006年4月16日現在、上記講義は6.170 Laboratory in Software Engineering, Fall 2005にアップデートされたようですが、PDFはまだ拾うことができます。) 1.1 What 6170 s About このコースの主な単元 オブジェクト指向プログラミング オブジェクト指向のソフトウェアデザイン ソフトウェア開発の演習（ネットラジオでは対象外とします） このコースで身につくもの ソフトウェアのデザイン 抽象化のメカニズムやパターンを以下に上手に実現するか、デザインの表現 Javaによる実装 dependable, flexibleなソフトウェアの実現 重要なのはデザインに重点を置いていることで、プログラミングは前提知識。 また、hackingすることが目的ではない。 ローレベルのコーダーではなくアーキテクトになる デバッグに時間をかけない 1.2 Admin Policies 講義資料 （ただしこのネットラジオでは2つ目のlecture notesのみ使い、残りはDJの力量でカバーしていきます……多分） course text Liskov, Barbara. Program Development in Java Abstraction, Specification, and Object-Oriented Design. Reading, MA Addison-Wesley, 2001. ISBN 0201657686. lecture notes usually published the day of the lecture ‘Gang of Four’design patterns book recommended ‘Effective Java’by Bloch recommended Javaのチュートリアル 1.3 Why Software Engineering Matters ソフトウェアエンジニアリングの、主に社会的な重要性。 1996年の調査では ソフトウェアは輸出黒字最上位 $24Bを輸出し$4Bが輸入（$20Bの黒字） 他の産業では… agriculture 26-14-12, aerospace 11-3-8, chemicals 26-19-7, vehicles 21-43-(22), manufactured goods 200-265-(64) (元資料 Software Conspiracy, Mark Minasi, McGraw Hill, 2000). ソフトウェアの役割はインターネットだけではなくtransportation, energy, medicine, financeなどにまで。たとえば車には10から100のプロセッサが載っていて、ブレーキからオーディオまで関わっている。 購入のコストはゼロに近づいているが、維持のコストが多くかかっている。 開発の失敗、アクシデント、質の低いソフトウェアなど。 1.3.1 Development failures 開発の失敗例の分類 IBM survey, 1994 55%のシステムがオーバーコスト 68%がスケジュールをオーバー 88%が実質的に再デザイン Advanced Automation System (FAA, 1982-1994) 業界平均は$100/行だが, 本来は$500/行ぐらいかかっている 結局$700-900/行ぐらい払っている $6Bの仕事が無駄になっている Bureau of Labor Statistics (1997) 新しいシステムは6個中2個はキャンセルされてる 最大のシステムのキャンセル割合は50% スケジュールオーバーが50% 3/4のシステムが運用に失敗 1.3.2 Accidents アクシデントについて。 “The most likely way for the world to be destroyed, most experts agree, is by accident. That’s where we come in. We’re computer professionals. We cause accidents.” Nathaniel Borenstein, inventor of MIME,in Programming as if People Mattered Friendly Programs, Software Engineering and Other Noble Delusions, Princeton University Press, Princeton, NJ, 1991. アクシデントの例。 Therac-25 (1985-87) ‘interpretation of beam block data by software’ was a factor http //sunnyday.mit.edu/therac-25.html http //www.fda.gov/cdrh/ocd/panamaradexp.html Ariane-5 (June 1996) It’s quite rare for bugs in the code to be the cause; usually, the problem goes back to the requirements analysis, （テキストの参照先がデッドリンク） London Ambulance Service (1992) really a managerial one. they made the terrible mistake of trying to go online abruptly, without running the new and old systems together for a while. http //www.cs.ucl.ac.uk/staff/A.Finkelstein/las.html PITAC report, Information Technology Research Investing in Our Future “The demand for software has grown far faster than our ability to produce it. Furthermore, the Nation needs software that is far more usable, reliable, and powerful than what is being produced today. We have become dangerously dependent on large software systems whose behavior is not well understood and which often fail in unpredicted ways.” 1.3.3 Software Quality ソフトウェアの質を計る1つの基準はバグ数/kloc。 デリバー後にわかる 業界平均は10 1以下なら高品質 Praxis CDIS system (1993)の例 0.75 defects/klocだった 1.4 Why Design Matters この授業では‘hacking code’がソフトウェア作りの全てではなく、コードを語るより良い方法が必要であることを示す。 ソフトウェアデザイン者の心得 予め考える（安いし） 最後に品質を上げようと考えてはいけない チームワークが可能な権限委譲をする 駄目なデザインはユーザーに影響する 駄目なデザインは開発者に影響する 1.4.1 The Netscape Story solid designに基づいてIE3を作ったMSとデザインに注意を払わなくて手遅れになったNetscapeの失敗例 1.5 Advice Course strategy don’t get behind pace is fast! attend lectures material is not all in textbook think in advance don’t rush to code de-sign, not de-bug today s visitor： - total visitor： -
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CDR 001 - DEMO RECORDING SESSIONS 1962 (16 49) 1 Little Queenie (demo) 2 Beautiful Delilah (demo) 3 Down The Road Apiece (demo) 4 I Aint Got You (demo) 5 Don t Want No Woman (demo) 6 Around Around (demo) 7 Little Queenie/Beautiful Delilah/La Bamba/Wee Baby Blues (On Your Way To School)/Around Around (demo) 8 You Can t Judge A Book By Looking At The Cover (part) (demo) ■Bill Wyman s Black Box (VGP-329) includes tracks 1-4 mono ■Down The Road Apiece (Bad Wizard BW 6167) includes tracks 5-6 mono ■Reelin Rockin (VGP-274) includes track 7 mono ■Around Around (Invasion Unlimited IU9531-1) includes track 8 mono Note; Dartford, Kent, late 1961 or early 1962 (tracks 1-7), Curly Clayton Sound Studio, London, 10.27.1962 (track 8) CDR 002 - FIRST RECORDING SESSIONS 1963 (50 36) 1 Road Runner (demo) 2 Diddley Daddy (demo) 3 I Want To Be Loved (demo) 4 Baby What s Wrong (demo) 5 Bright Lights, Big City (demo) 6 Come On (7"single) 7 I Want To Be Loved (7"single) 8 Fortune Teller (saturday club) 9 Poison Ivy (long take) (saturday club) 10 Bye Bye Johnny (EP the rolling stones) 11 You Better Move On (EP the rolling stones) 12 I Wanna Be Your Man (7"single) 13 Stoned (7"single) 14 Come On (BBC) 15 Memphis, Tennessee (BBC) 16 Roll Over Beethoven (BBC) 17 Money (EP the rolling stones) 18 Poison Ivy (short take) (EP the rolling stones) 19 Go Home, Girl (outtake) 20 That s Girl Belongs To Yesterday (outtake) 21 Leave Me Alone (outtake) 22 It Should Be You (outtake) ■IBC Demos 1963 (The Swingin Pig TSP-CDS-001) includes tracks 1-5 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 6-7,12-13 mono ■MORE HOT ROCKS (abkco 96262) includes tracks 8-10,17-18 mono ■DECEMBER S CHILDREN (abkco 94512) includes track 11 mono ■Get Satisfaction...If You Want ! (The Swingin Pig TSP-CD-003) includes tracks 14-16 mono ■Time Trip Vol. 5 (Scorpio TT5) includes track 19-22 mono Note; IBC Studios, London, 3.11.1963 (tracks 1-5), Olympic Sound Studios, London, 5.10.1963 (tracks 6-7), Decca Studios, London, 7.9.1963 (track 8), 7.16.1963 (track 9), 8.8.1963 (tracks 10-11), Saturday Club, BBC Radio, London, 10.26.1963 (tracks 14-16), De Lane Lea Music Recording Studios, London, 10.7.1963 (tracks 12-13) 11.14.1963 (tracks 17-19), Regent Sound Studios, London, 11.20-21.1963 (tracks 20-22) CDR 003 - THE ROLLING STONES SESSIONS 1964 (40 37) 1 Not Fade Away (outtake) 2 I m A King Bee (backing track) 3 Not Fade Away (7"single) 4 Little By Little (7"single) 5 Mr. Spector Mr. Pitney Come Too (outtake) 6 Andrew s Blues (outtake) 7 Wake Up In The Morning (jingle for kellog s rise krispies) 8 Tell Me (You re Coming Back) (outtake) 9 Tell Me (You re Coming Back) (UK LP full length version) 10 Good Times, Bad Times (7"single) 11 As Time Goes By (outtake) 12 Route 66 (BBC) 13 Cops Robbers (BBC) 14 You Better Move On (BBC) 15 Mona (I Need You Baby) (BBC) 16 Don t Lie To Me (outtake) ■The Black Box CD-1 (Yellow Dog YD 046) includes tracks 1,11 mono ■Record Mirror Volume 1 / 1962-1968 (Bedrock Records) includes track 2 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 3-4,10 mono ■Necrophilia (VGP-317) includes tracks 5-6 mono ■The Rolling Stones No.2 (bootleg) includes track 7 mono ■Bright Lights Big City (VGP-307) includes track 8 mono ■THE ROLLING STONES (London P25L 25031) includes track 9 mono ■Comden Thatre 1964 (The Swingin Pig TSP-CDS-004) includes tracks 12-15 stereo ■METAMORPHOSIS (abkko 90062) includes track 16 stereo Note; Regent Sound Studios, London, 1.10.1964 (tracks 1-2), 1.28-29.1964 (tracks 3),2.4.1964 (Tracks 4-6), 2.24-25.1964 (tracks 8-10), 5.12.1964 (track 16), Pye Studios, London, 2.6.1964 (track 7), De Lane Lea Music Recording Studios, London, 3.11.1964 (track 11), Blues in Rhythm, BBC Radio, London, 3.19.1964 (tracks 12-15) CDR 004 - CHESS RECORDING SESSIONS 1964 (41 56) 1 It s All Over Now (stereo version) 2 I Can t Be Satisfied (stereo version) 3 Stewed Keefed (outtake) 4 Confenssin The Blues (stereo version) 5 Around Around (stereo version) 6 Look What You ve Down (stereo version) 7 Down The Road Apiece (stereo version) 8 If You Need Me (stereo version) 9 Hi-Heel Sneakers (outtake) 10 Meet Me In The Bottom (outtake) 11 Empty Heart (stereo version) 12 Tell Me Baby, How Many More Time (outtake) 13 2120 South Michigan Avenue (full length stereo version) 14 Reelin Rockin (outtake) ■12X5 (abkco 94022) includes tracks 1, 4, 5, 8,11,13 stereo ■MORE HOT ROCKS (abkco 96262) includes track 2 stereo ■The Black Box CD-1 (Yellow Dog YD 046) includes tracks 3, 9-10,12 stereo ■DECEMBER S CHILDREN (abkco 94512) includes track 6 stereo ■THE ROLLING STONES, NOW! (abkco 94202) includes track 7 stereo ■Reelin Rockin (VGP-274) includes track 14 mono Note; Chess Studios, Chicago, Illinois, 6.10.1964 (tracks 1-3), 6.11.1964 (tracks 4-14) CDR 005 - RECORDING SESSIONS FOR ANDREW OLDHAM 1964 (44 54) 1 Some Things Just Stick In Your Mind (basic track) 2 Some Things Just Stick In Your Mind (additional pedal steel guitar) 3 Try A Little Harder (basic track) 4 Try A Little Harder (additional brass backing vocals) 5 Heart Of Stone (basic track) 6 Heart Of Stone (additional pedal steel guitar) 7 Blue Turns To Grey (basic track) 8 Blue Turns To Grey (additional female backing vocals) 9 Earch Every Day Of The Year (basic track) 10 Earch Every Day Of The Year (additional female backing vocals, brass strings) 11 (Walkin Thru The) Sleepy City (basic track) 12 (Walkin Thru The) Sleepy City 13 We re Wastin Time (basic track) 14 We re Wastin Time (additional pedal steel guitar fiddle) 15 I d Much Rather Be With The Boys (basic track) 16 I d Much Rather Be With The Boys (additional backing vocals pedal steel guitar) ■The Black Box CD-1 (Yellow Dog YD 046) includes tracks 1, 3, 7,11,13 mono ■METAMORPHOSIS (abkko 90062) includes tracks 2, 4, 6,10,12,14,16 stereo ■The Allen Klein Collection / Kleins Revenge (Midnight Beat MBCD 128) includes tracks 5, 9,15 mono ■Necrophilia (VGP-317) includes track 8 stereo Note; Regent Sound Studios, London, 2.13.1964 (tracks 1, 3), 6.29-7.7.1964 (tracks 2, 4), 7.21-23.1964 (tracks 5-6), 8.31-9.4.1964 (tracks 7-14), Decca Studios, London, 2.1965 (tracks 15-16) CDR 006 - THE ROLLING STONES NO.2 SESSIONS 1964 (34 42) 1 Little Red Rooster (7"single) 2 Off The Hook (7"single) 3 Susie Q (with count version) 4 Surprise, Surprise (fourteen) 5 We Were Falling In Love (Waving Hair) (outtake) 6 Everybody Needs Somebody To Love (long take-stereo version) 7 Heart Of Stone (stereo long version) 8 Time Is On My Side (guitar intro take-stereo version) 9 What A Shame (stereo version) 10 Mercy, Mercy (outtake) 11 Good Bye Girl (outtake) 12 Key To The Highway (outtake) ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 1-2 mono ■Time Trip Vol. 5 (Scorpio TT5) includes tracks 3,10-12 mono, track 7 stereo ■THE ROLLING STONES, NOW! (abkco 94202) includes track 4 mono, track 9 stereo ■Bill Wyman s Black Box (VGP-329) includes track 5 mono ■Bright Lights Big City (VGP-307) includes track 6 stereo ■HOT ROCKS 1964-1971 (abkco 96672) includes track 8 stereo Note; Regent Sound Studios, London, 9.2.1964 (tracks 1-2), 9.28-29.1964 (tracks 3-5), RCA Studios, Los Angeles, California, 11.2.1964 (tracks 6-7), Chess Studios, Chicago, Illinois, 11.8.1964 (tracks 8-12) CDR 007 - OUT OF OUR HEADS SESSIONS 1965 (42 01) 1 The Last Time (stereo version) 2 Play With Fire (stereo version) 3 The Under Assistant Westcoast Promotion Man (full length version) 4 (I Cant Get No) Satisfaction (backing track) 5 The Spider The Fly (backing track) 6 (I Cant Get No) Satisfaction (stereo version 1) 7 (I Cant Get No) Satisfaction (stereo version 2 acoustic guitar only) 8 The Spider The Fly (7"single) 9 Good Times (additional female backing vocals) 10 I ve Been Loving You Too Long (studio take) 11 Get Off Of My Cloud (stereo version) 12 The Singer Not The Song (stereo version) 13 Looking Tired (outtake) 14 As Tears Go By (7"single) ■Time Trip Vol. 5 (Scorpio TT5) includes track 1 stereo ■HOT ROCKS 1 (London 820141) includes tracks 2, 6,11 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 1218-2) includes track 3 mono ■The Black Box CD-1 (Yellow Dog YD 046) includes track 4 mono, track 13 stereo ■Ultra Rare Trax Vol. 9 (The Genuine Pig TGP-CD-132) includes track 5 mono ■HOT ROCKS 1964-1971 (abkco 96672) includes track 7 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 8,14 mono ■Necrophilia (VGP-317) includes track 9 stereo ■MORE HOT ROCKS (abkco 96262) includes track 10 stereo ■Bright Lights Big City (VGP-307) includes track 12 stereo Note; RCA Studios, Los Angeles, California, 1.17-18, 2.17.1965 (track 1), 1.17-18.1965 (track 2),5.11-12.1965 (tracks 4-10), 9.5.1965 (tracks 11-12), 9.6.1965 (track 13), Chess Studios, Chicago, Illinois, 5.10.1965 (track 3), IBC Studios, London, 10.26.1965 (track 14) CDR 008 - AFTERMATH SESSIONS 1966 (57 48) 1 19th Nervous Breakdown (outtake) 2 19th Nervous Breakdown (stereo version) 3 Sad Day (US 7"single) 4 Mother Little Helper (backing track) 5 Paint It, Black (edited backing track) 6 Paint It, Black (stereo version-different mix) 7 Paint It, Black (full length version) 8 Long Long While (7"single) 9 Lady Jane (backing track) 10 Out Of Time (backing track) 11 If You Let Me (outtake) 12 Con Le Mie Lacrime (without harpsichord version) 13 Con Le Mie Lacrime (Italia 7"single) 14 Out Of Time (outtake) 15 Have You Seen Your Mother, Baby, Standing In The Shadow ? (backing track) 16 Have You Seen Your Mother, Baby, Standing In The Shadow ? (outtake) 17 Have You Seen Your Mother, Baby, Standing In The Shadow ? (stereo version) 18 Who s Driving Your Plane (7"single) ■Time Trip Vol. 5 (Scorpio TT5) includes tracks 1-2, 6 stereo, tracks 5, 9,12,15,17 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 3, 7-8,18 mono ■Time Trip disc 3 (DAC-063) includes track 4 mono ■Masons Yard To Primrose Hill (VGP-112) includes track 10 mono ■METAMORPHOSIS (abkko 90062) includes tracks 11,14 stereo ■The Black Box Bonus CD (Yellow Dog YD 2000) includes track 13 mono ■The Black Box CD-1 (Yellow Dog YD 046) includes track 16 mono Note; RCA Studios, Los Angeles, California, 12.3-8.1965 (tracks 1-4), 3.6-9.1966 (tracks 5-11), 8.3-11.1966 (track 18), IBC Studios, London, 3.15.1966 (tracks 12-13), 8,31-9.2.1966 (tracks 15-17), Pye Studios, London, 4.27-30.1966 (track 14) CDR 009 - BETWEEN THE BUTTONS SESSIONS 1966 (52 42) 1 Yesterday s Papers (outtake) 2 Yesterday s Papers (baking track) 3 My Obsession (baking track) 4 All Sold Out (baking track) 5 Please Go Home (baking track) 6 Complicated (baking track) 7 Let s Spend The Night Together (baking track) 8 Get Yourself Together (Can t Believe / I Can See It) (outtake take 1) 9 Let s Spend The Night Together (baking track with chorus) 10 Ruby Tuesday (baking track) 11 Let s Spend The Night Together (stereo version) 12 Ruby Tuesday (stereo version) 13 Dandelion (outtake) 14 Get Yourself Together (Can t Believe / I Can See It) (ourtake 2-backing track) 15 Get Yourself Together (Can t Believe / I Can See It) (outtake 2) 16 Trouble In Mind (outtake) ■Time Trip disc 4 (DAC-063) includes tracks 1,13 mono, track 8 stereo ■The Black Box CD-2 (Yellow Dog YD 047) includes tracks 2-6,14 stereo, tracks 7,10 mono ■The Black Box CD-1 (Yellow Dog YD 046) includes track 9 mono ■THROUGH THE PAST, DARKLY (abkco 90032) includes tracks 11-12 stereo ■Accidents Will Happen (VGP-370) includes track 15 mono ■Hot Stuff Volume Two (Great Dane Records GDR 9417/ABCD) includes track 16 mono Note; RCA Studios, Los Angeles, California, 8.3-11.1966 (tracks 1-8), Olympic Sound Studios, London, 11.8-26.1966 (tracks 9-16) CDR 010 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 1 (19 33) 1 We Love You (7"single) 2 Dandelion (7"single) 3 We Love You (stereo version) 4 Dandelion (stereo version) 5 We Love You (rehearsal) ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes tracks 1-2 mono ■MORE HOT ROCKS (abkco 96262) includes track 3 stereo ■THROUGH THE PAST, DARKLY (abkco 90032) includes track 4 stereo ■Time Trip disc 4 (DAC-063) includes track 5 stereo Note; Olympic Sound Studios, London, 6.12-13 21.1967 (tracks 2, 4-5), 7.2-22.1967 (tracks 1, 3) CDR 011 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 2 (57 49) 1 2000 Light Years From Home (rehearsal) 2 2000 Light Years From Home (take 1) 3 2000 Light Years From Home (takes 2-4) 4 2000 Light Years From Home (takes 5-6) 5 2000 Light Years From Home (takes 7-10) 6 2000 Light Years From Home (take 11) 7 2000 Light Years From Home (takes 12-13) 8 2000 Light Years From Home (takes 14-15) 9 2000 Light Years From Home (retakes 3-4) 10 5 Part Jam Part 1 (takes 1-2) 11 5 Part Jam Part 1 (takes 3-5) 12 5 Part Jam Part 5 (takes 1-3) 13 5 Part Jam Part 4 (takes 1-10) 14 5 Part Jam Part 4 (takes 11-15) 15 5 Part Jam Part 3 (takes 1-5) 16 5 Part Jam Part 2 (takes 1-5) ■Satanic Sessions Volume One disc 1 (Midnight Beat MB CD 120) includes tracks 1-16 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-16) CDR 012 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 3 (60 32) 1 We Love You (takes 15-16) 2 We Love You (takes 17-19) 3 She s A Rainbow (takes 1-2) 4 She s A Rainbow (takes 3-7) 5 Citadel (takes 20-24) 6 Citadel (takes 25-31) 7 Citadel (takes 32-33) 8 Citadel (take 34) 9 Citadel (take with piano overdub) 10 In Another Land (takes 1-3) 11 In Another Land (takes 4-8) 12 In Another Land (take 9) 13 Child Of The Moon (take 10) ■Satanic Sessions Volume One disc 2 (Midnight Beat MB CD 121) includes tracks 1-13 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-13) CDR 013 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 4 (60 23) 1 Child Of The Moon (takes 11-12) 2 Sing This All Together (take 7) 3 Sing This All Together (intro) 4 The Lantern (take 1) 5 The Lantern (takes 2-3) 6 The Lantern (takes 4-5) 7 The Lantern (take 10) 8 The Lantern (take 11) 9 The Lantern (take 14) 10 The Lantern (take 15-17) 11 The Lantern (retakes 1-3) 12 On With The Show (takes 1-3) 13 On With The Show (takes 4-6) 14 On With The Show (takes 7-10) ■Satanic Sessions Volume One disc 3 (Midnight Beat MB CD 122) includes tracks 1-14 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-14) CDR 014 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 5 (58 09) 1 On With The Show (take 11) 2 On With The Show (takes 12+14) 3 In Another Land (chorus part, takes 1-2) 4 In Another Land (chorus part, takes 3-4) 5 In Another Land (chorus part, takes 5-14) 6 Majesties Honky Tonk (takes 1-2) 7 Majesties Honky Tonk (take 3) 8 Majesties Honky Tonk (takes 4-9) 9 Majesties Honky Tonk (takes 10) 10 Majesties Honky Tonk (takes 11-12) 11 Majesties Honky Tonk (takes 15-17) 12 Jam One (takes 1-7) 13 Jam One (takes 8-9) 14 Jam One (takes 10-15) 15 Title 15 (takes 1-3) 16 Title 15 (take 4) 17 Title 15 (takes 5) ■Satanic Sessions Volume One disc 4 (Midnight Beat MB CD 123) includes tracks 1-17 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-17) CDR 015 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 6 (49 16) 1 Title 15 (takes 6) 2 Title 15 (takes 7) 3 Gomper (take 1) 4 Gomper (take 2) 5 Gomper (take 3) 6 Gomper (take 4) 7 Gomper (take 5) 8 Gomper (part 1, take 1) 9 Gomper (part 1, take 2) 10 Soul Blues (take 1) 11 Soul Blues (take 2) 12 Soul Blues (take 3) 13 2000 Man (takes 1-2) 14 2000 Man (take 3) 15 2000 Man (takes 4-5) ■Satanic Sessions Volume Two disc 1 (Midnight Beat MB CD 124) includes tracks 1-15 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-15) CDR 016 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 7 (47 45) 1 2000 Man (take 6) 2 2000 Man (takes 7-8) 3 2000 Man (takes 9-11) 4 2000 Man (takes 13-15) 5 2000 Man (end part, takes 1-3) 6 2000 Man (intro, takes 1-2) 7 2000 Man (intro, takes 3-14) 8 Guitar/Organ Jam (similar to She Smiled Sweetly) 9 Blues 3 (takes 27-31) 10 Blues 3 (takes 32-39) 11 Blues 3 (takes 40-44) 12 Blues 3 (retakes 1-2) 13 Blues 3 (retake 3) 14 Blues 3 (retakes 4-5) ■Satanic Sessions Volume Two disc 2 (Midnight Beat MB CD 125) includes tracks 1-14 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-14) CDR 017 - THEIR SATANIC MAJESTIES REQUEST SESSIONS 1967 DISC 8 (47 24) 1 Gold Painted Fingernails (take 1) 2 Gold Painted Fingernails (take 2) 3 Gold Painted Fingernails (takes 3-4) 4 Gold Painted Fingernails (takes 5-9) 5 Gold Painted Fingernails (takes 10-11) 6 Gold Painted Fingernails (take 12) 7 Gold Painted Fingernails (takes 13-16) 8 Gold Painted Fingernails (take 17) 9 Gold Painted Fingernails (takes 18-22) 10 Gold Painted Fingernails (take 23) 11 2000 Man (middle part, takes 2-3) 12 2000 Man (middle part, takes 4-6) 13 2000 Man (middle part, takes 7-10) 14 2000 Man (middle part, takes 11-12) 15 2000 Man (middle part, take 13) ■Satanic Sessions Volume Two disc 3 (Midnight Beat MB CD 126) includes tracks 1-15 stereo Note; Olympic Sound Studios, London, May-October 1967 (tracks 1-15) CDR 018 - BEGGARS BANQUET SESSIONS 1968 DISC 1 (43 35) 1 Rock Me Baby (rehearsal) 2 Stray Cat Blues (rehearsal) 3 Untitled (rehearsal) 4 Hold On, I m Comin (rehearsal) 5 Jumpin Jack Flash (rehearsal) 6 Untitled (rehearsal) 7 Some Satisfaction (rehearsal) 8 Rock Me Baby (rehearsal) 9 I ll Coming Home (rehearsal) 10 Untitled (rehearsal) 11 Conversations ■Surrey Rehearsals 1968 (VGP-108) includes tracks 1-11 mono Note; R.G. Jones Studios, Morden, Surrey, 2.21.1968 (tracks 1-11) CDR 019 - BEGGARS BANQUET SESSIONS 1968 DISC 2 (53 41) 1 Jig-Saw Puzzle (take 1) 2 Jig-Saw Puzzle (take 2) 3 Jig-Saw Puzzle (takes 3-5) 4 Jig-Saw Puzzle (take 6) 5 Jig-Saw Puzzle (takes 7-8) 6 Jig-Saw Puzzle (take 9) 7 Jig-Saw Puzzle (take 10) 8 Jig-Saw Puzzle (take 11) 9 Jig-Saw Puzzle (take 12) 10 Jig-Saw Puzzle (take 13) 11 Jig-Saw Puzzle (take 14) ■Satanic Sessions Volume Two disc 4 (Midnight Beat MB CD 127) includes tracks 1-11 stereo Note; Olympic Sound Studios, London, 3.17-4.3.1968 (tracks 1-11) CDR 020 - BEGGARS BANQUET SESSIONS 1968 DISC 3 (70 36) 1 Jumpin Jack Flash (backing track) 2 Child Of The Moon (backing track) 3 Jumpin Jack Flash (stereo version) 4 Child Of The Moon (stereo version) 5 Parachute Woman (early mix) 6 Stray Cat Blues (outtake) 7 Did Everybody Pay This Dues ? (outtake) 8 Street Fighting Man (US 7"single-mono different vocals version) 9 No Expectations (outtake) 10 Dear Doctor (outtake) 11 Dear Doctor (early mix) 12 Prodigal Son (stereo version) 13 Factory Girl (outtake) 14 Sister Morphine (outtake) 15 Hamburger To Go (Stuck Out All Alone) (outtake) 16 Blood Red Wine (outtake) 17 Family (outtake-electric version) 18 Still A Fool (outtake) ■Time Trip disc 4 (DAC-063) includes tracks 1-2 mono, tracks 9-10,14 stereo ■THROUGH THE PAST, DARKLY (abkco 90032) includes track 3 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 1218-2) includes track 4 stereo ■R.S.V.P. (Cool Blokes Production) includes tracks 5-6,11-13 stereo ■Necrophilia (VGP-317) includes track 7 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes track 8 mono ■The Trident Mixes (DAC-052) includes tracks 15-18 stereo Note; Olympic Sound Studios, London, 3.17-4.3.1968 (tracks 2, 4-7), 4.20.1968 (tracks 1, 3), 5.13-23.1968 (tracks 8-18) Note; track 11 (R.S.V.P. track 17) CDR 021 - BEGGARS BANQUET SESSIONS 1968 DISC 4 (62 22) 1 Sympathy For The Devil (early takes part 1 from one plus one ) 2 Sympathy For The Devil (early takes part 2 from one plus one ) 3 Sympathy For The Devil (early takes part 3 from one plus one ) 4 Sympathy For The Devil (early takes part 4 from one plus one ) 5 Sympathy For The Devil (early takes part 5 from one plus one ) 6 Sympathy For The Devil (early takes part 6 from one plus one ) 7 Sympathy For The Devil (early takes part 7 from one plus one ) 8 Sympathy For The Devil (early takes part 8 from one plus one ) 9 Sympathy For The Devil (early takes part 9 from one plus one ) 10 Sympathy For The Devil (early takes part 10 from one plus one ) 11 Sympathy For The Devil (edited 3rd strophe) 12 Sympathy For The Devil (beggars banquet) 13 Jam (London Jam) (part 1 from one plus one ) 14 Jam (London Jam) (part 2 from one plus one ) 15 Family (acoustic version) 16 Family (with additional bass guitar percussions) ■Political Cartoons (JJ Records) includes tracks 1-10,13-14 mono ■R.S.V.P. (Cool Blokes Production) includes track 11 stereo ■BEGGARS BANQUET (London 800 084-2) includes track 12 stereo ■The Trident Mixes (DAC-052) includes track 15 stereo ■METAMORPHOSIS (abkko 90062) includes track 16 stereo Note; Olympic Sound Studios, London, 6.4-10.1968 (tracks 1-14), 6.28.1968 (tracks 15-16) CDR 022 - LET IT BLEED SESSIONS 1969 DISC 1 (42 17) 1 Honky Tonk Women (outtake) 2 You Can t Always Get What You Want (edited stereo version) 3 Gimme Shelter (outtake) 4 Gimme Shelter (different vocals version 1) 5 Gimme Shelter (different vocals version 2) 6 You Got The Silver (Mick Jagger on lead vocals version) 7 Sister Morphine (different mix) 8 I Was Just A Country Boy (outtake) 9 Downtown Suzie (Lily Street Lucie) (basic track) 10 Downtown Suzie (Lily Street Lucie) (remixed version) ■The Black Box CD-3 (Yellow Dog YD 048) includes tracks 1, 3 stereo ■SINGLES COLLECTION / THE LONDON YEARS (abkco 1218-2) includes track 2 stereo ■Time Trip disc 1 (DAC-063) includes tracks 4, 6 stereo ■Time Trip disc 4 (DAC-063) includes track 5 stereo ■Sotheby s Reel 1969-1970 (Idol Mind Production IMP-N-013) includes track 7 stereo ■The Trident Mixes (DAC-052) includes tracks 8-9 stereo ■METAMORPHOSIS (abkko 90062) includes track 10 stereo Note; Olympic Sound Studios, London, 2.10-3.31.1969 (tracks 1-8), 4.23.1969 (tracks 9-10) CDR 023 - LET IT BLEED SESSIONS 1969 DISC 2 (46 54) 1 Honky Tonk Women (basic track) 2 Honky Tonk Women (stereo version) 3 Country Honk (basic track) 4 Loving Cup (outtake) 5 Jiving Sister Fanny (take 1) 6 Jiving Sister Fanny (take 2) 7 I Don t Know Why (basic track) 8 I Don t Know Why (remixed version) 9 All Down The Line (outtake-acoustic version) 10 I m Going Down (basic track) 11 Hillside Blues (I Don t Know The Reason Why) (outtake) ■Olympic Years 1967-69 (Dandelion 94003) includes track 1 mono ■SINGLES COLLECTION / THE LONDON YEARS (abkco 92312) includes track 2 stereo ■The Black Box CD-3 (Yellow Dog YD 048) includes track 3 mono, track 9 stereo ■Sotheby s Reel 1969-1970 (Idol Mind Production IMP-N-013) includes track 4 stereo ■The Trident Mixes (DAC-052) includes tracks 5, 7, 10 stereo ■METAMORPHOSIS (abkko 90062) includes tracks 6, 8 stereo ■Hillside Blues (VGP-214) includes track 11 stereo Note; Olympic Sound Studios, London, 4.17-7.2.1969 (tracks 1-8), Sunset Sound Studios Elektra Studios, Los Angeles, California, 10.17-11.2.1969 (tracks 9-11) NEXT
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I am going to update it every Wednesday Work and 【AD】 Git 【AD】 Baza like correction etc. Characters introduction Chapter 1 Revenge version of Cu It transforms in about ♂ small dice of Cu and Pepengin and it transforms it into Delfaitar that parents were killed by the angel army. ♀ is curious of the selah rappee. It lives in the danger area of ♂ planet Dego of Fimpepengin (Kiristonca islands). Commander Deldar of Gale satan army Gale company Radelpingargal company belonging Ricsatanisgal company belonging Angel army- It makes a surprise attack though it is belonging of the Zerofaitargelnia base of hex ASG equipment and it aims at Gald. Josefheringalgald angel martial base belonging Chapter 2 Tabihan of planet Chapter 2 Tabihan of planet The color of penguin s of Wrenn ♂ skin is green, and Pold birth. In the color of ♀ skin of Risarape, Orengeren is a childhood friend. No Utsbshikingmanimon ** (Sex doesn t exist in Kingmanimon). However, the habit of saying. I am for revenge of Chapter 1 Cu episode 1 curiosity episode 2 past episode 3 departure A star of the episode 4 sterility episode 5 position episode 6 power episode 7 preparations episode 8 unexpected episode 9 battle An end of episode 10 war episode 11 aggression episode 12 severe cold episode 13 record episode 14 relief episode 15 invasion last story ending last story lateral biography ending G Lateral biography fatigue, comment from the people who appeared Chapter 2 Tabia of planet The first story flowering plant The second story street The third story is done business. The fourth story city The fifth Hanashiiro The sixth story business strategy Anecdote characters It lives in the danger area of ♂ planet Dego of Fimpepengin (Kiristonca islands). Story of anecdote fin Postscript Chapter of postscript Git Chapter of postscript Baza It is an impression column of the novel. It writes by all means and ruining is deleted as soon as it discovers it. 名前 コメント すべてのコメントを見る
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Jurassic The Hunted 注意！北米版本体のみ起動可能ソフトです 日本版のXbox360本体では起動できません 項目数：31 総ポイント：1000 難易度：★★☆☆☆ ノーマルクリア後にハード開放、実績コンプには要2周。 コンプまで8～10時間程度。 Jurassic The Hunted 実績まとめ http //blog.livedoor.jp/motor_drive/archives/1099495.html Welcome to the Jungle Kill 50 Deinonychus. 30 Raptor Extinction Kill 100 Deinonychus. 50 Woah Kill 1 dinosaur during an Adrenaline Burst. 25 Not so Fast Kill 3 Raptors during a single Adrenaline Burst. 50 Adrenaline Junkie Kill 25 dinosaurs during Adrenaline Bursts. 50 These are not the Hammer Kill 20 dinosaurs using melee attacks. 50 Gunman Kill a dinosaur using each weapon. 25 Firepower Kill 50 dinosaurs using stationary weapons. 30 Dinomite! Kill 50 Raptors with a single shot each. 25 Six Foot Turkey Kill a Utahraptor. 25 What a Prick Survive a Spinosaurus attack. 50 I m the King Kill a Tyrannosaurus. 40 Outta Nails Complete any fortification objective without repairing. 25 Handyman Complete any fortification objective without the dinosaurs getting in. 25 Preparing for the Future Repair all broken entrances before unlocking the gate. 25 Pack Hunting Kill 3 Raptors with one grenade. 25 Who Needs a Bug Zapper? Kill 50 Pterosaurs in Rise Above. 25 Death from Below Kill 1 Pterosaur with a grenade. 25 Blast in the Past Kill 20 Dinosaurs with grenades. 25 Plumber Stomachache Destroy 50 exploding mushrooms. 25 1-Up Kill 1 enemy using an exploding mushroom. 25 Crispy Critters Kill 5 Scorpions with the RPG. 25 Scorpion King Kill 50 Scorpions. 30 Chicken Chaser Kill 50 Velociraptors. 20 Nuck Chorris Rex Complete the game without dying. 100 Life Will Find a Way Complete the game. 50 Hard as Nails Complete the game on the Hard difficulty. 100 Secret Achievements Die in a Fire Killed by fire or lava. 0 Allergic Reaction Killed by thorny plants. 0 Clever Girl Died in a Raptor Melee QTE. 0 Mari-Ouch Killed yourself with an exploding mushroom. 0 回数系の実績はチェックポイントからのリスタートでは累積されず、チャプターをクリアしないと稼いだ数は保存されない。
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必要条件 Base Level 無し Job Level 40 Class Thief 報酬 アイテム Dagger または Katar ( 下記参照 ) クエスト報酬 Assassin への転職 1. Morroc× から南へ２マップ ・ 東へ２マップ進んだ先 ( moc_fild16 ) で Assassin s Guild (205, 296) を見つける Guild の入り口は島の中央の上端付近にある 2. Guildsman NPC (in_moc_16 19, 33) と話すと、Thief の Job レベルが40以上であれば Assassin 転職志望者として次の NPC がいる部屋へ通される 3. Guildsman (in_moc_16 25, 90) の傍を歩くと転職試験に登録され、次の部屋への入室が許可される(*1) 4. 部屋へ入ったら前へ歩いて行くと隠れていた NPC が姿を現し、Thief と Assassin に関するスキルや Card ・ 装備の 知識を試す問題を10問出される(*2) 10問中９問正解しないと次のステップには進めない Note Thief の Job レベルが50の場合は下記の内１セットだけからの出題になる (失格して追試でも同じ問題しか出ない？) Set 1 1 Choose the correct amount of the maximum dodge rate increase from the Increase Dodge skill when at level 10.スキル Increase Dodge をレベル10まで習得した場合の正しい回避率を選べ 30 2 Choose a monster which detects hiding/cloaking Thieves and Assassins.Thief や Assassin が Hiding / Cloaking で隠れても見つかってしまうモンスターを選べ Andre 3 Choose a group of weapons that cannot be used by an Assassin at once.Assassin が武器を装備する時、併用出来ない組み合わせを選べ Katar + Maingauche 4 Choose the town where Thieves can change their jobs.転職志望者が Thief に転職出来る街を選べ Morocc 5 Choose a card that does not affect the AGI stat.AGI ステータスに影響を与えない Card を選べ Whisper Card 6 Choose the correct specialty of the Assassin class.Assassin の職業特性で正しいものを選べ any answer is correctどれも正しい 7 Choose the maximum AGI bonus an Assassin can get at job level 50.Assassin の Job レベルが50になると得られる AGI ボーナスの最大値を選べ 10 8 Choose the item that an Assassin cannot equip.Assassin が装備出来ないアイテムを選べ Helm 9 Choose the job change item for Thief.Thief の転職アイテムを選べ Orange Gooey Mushroom かOrange Net Mushroom 10 Choose a card that would typically benefit an Assassin the least.普通に考えて Assassin にとって最も無意味な Card を選べ Elder Willow card Set 2 1 Choose the skill that is not required to learn Grimtooth.Grimtooth の習得に必要無いスキルを選べ Level 2 Right hand Mastery 2 What property does Enchant Poison possess?スキル Enchant Poison の属性は何か Poison 3 How does Level 4 Right hand Mastery work?Right hand Mastery レベル４にはどんな効果があるか Recover 90% of damage decrement減少される与ダメージ量を90%まで戻す 4 What is the item required for using Venom Dust?スキル Venom Dust を使う為に必要なアイテムは何か Red Gemstone 5 Which skill can you learn when you reach Level 5 Enchant Poison?Enchant Poison をレベル５まで習得する事で新たに習得可能になるスキルはどれか Venom Dust 6 Among the following skills, which allows you to become invisible while moving?以下の内で隠れながら移動出来るスキルはどれか Cloaking 7 From the following, choose the thing unrelated(*3)to using Venom Splasher.以下の内からスキル Venom Splasher の使用に関係無いアイテムを選べ Red Gemstone 8 Which monster is weak to a weapon with Vadon card (20% damage on Fire monster).Vadon card (Fire 属性モンスターにダメージ20%増) 挿しの武器に弱いモンスターはどれか Elder Willow 9 How much SP does Double Attack use?スキル Double Attack の消費SPは幾つか It s a passive skilland doesn t use SP.Passive スキルなのでSP は消費されない 10 What is the best elemental Main Gauche to use when hunting in Izlude dungeon?Izlude ダンジョンでの狩りに最も有効な属性付与 Main Gauche はどれか Wind Main Gauche Set 3 1 Which monster drops a slotted Katar?スロットの多い Katar を落とすモンスターはどれか Desert Wolf 2 Which monster a slotted Jur?スロットの多い Jur を落とすモンスターはどれか Martin 3 Which class is allowed to craft elemental weapons?属性付与された武器を作れるのはどの職か Blacksmith 4 Choose a weapon which is not Katar class.Katar の類でない武器を選べ Gladius 5 What property do Izlude dungeon monsters possess?Izlude ダンジョンにいるモンスター達の属性は何か Water 6 Which monster cannot be a Cute Pet?Cute Pet に出来ないモンスターはどれか Roda Frog 7 Choose a monster that Fire property daggers work the best on.Fire 属性の付与された Dagger が最も有効なモンスターを選べ Hammer Goblin 8 Choose the non-elemental Katar.属性付与されていない Katar を選べ Infiltrator 9 Which is the uncommon monster?一般的なザコでないモンスターはどれか Ghostring 10 Choose the monster that is not Undead.Undead でないモンスターを選べ Spore 訳注： Re Start の場合、ここで問題クリアの後、Job レベルが50なら下記ステップ５のチャットルーム NPC の隣にいるBy Pass The Test という NPC と話すとステップ７まで飛ばされるもしかするとステップ２の Guildsman NPC の隣にいる Secret Necklace Seller から Necklace of Oblivion を買えば転職試験自体を全部すっ飛ばせるのかも知れないが未検証 5. クイズが済んだら次のテストの為にチャットルームへ入る。先に誰かが受験中だったらここで順番を待たされる 番が回って来たら Poring ・ Drops ・ Lunatic ・ Poporing でいっぱいの部屋へ転送される ここでは３分以内にアナウンスで流される名前の付いたモンスター６体を間違えないようにしながら倒し切らなければならない モンスター名は通常 "Target Monster" 若しくは "Job Change Test Monster" になっているが、RO のバージョンによっては 違う名前が当てられている事もある また、ターゲットとして上記の名前が付けられているモンスターの構成は大概 Poring ３体、Drops ・ Lunatic ・ Poporing 各１体となっている 正しい名前でないモンスターを倒したり落とし穴に落ちたりすると失格になり、チャットルームを出している NPC の前に引き戻される ターゲットを全て倒し切ると部屋中に残ったその他のモンスターは全て消滅し、次のテストを行う部屋へ続くポータルが現れる オプション設定の "snap to monster" や "snap to item" の機能を有効にしたままでいると、狙うべきモンスターでない方に マウスカーソルが補正移動されてしまい目標を倒す妨げになるので、このテストを受験している間は切っておいた方がいいだろう 6. 次のエリアでは Mummiy や Hydra だらけの部屋を反対側まで走り抜けなければならない。モンスターを倒そうと立ち止まる必要は無い モンスターの群れに引っ掛かって進めなくなるのを避ける為に、部屋の反対側へ出来るだけ早く到達する事が強く勧められる Hide× を上手く使えばより簡単に、また Frilldora Card 挿しの Garment を持っていれば尚更楽にこのステップをクリア出来る 部屋の終端にいる NPC の所へ辿り着ければモンスターは全て消滅し、次の部屋へ進む事が出来る 途中で殺されてテストが失敗に終わると Guild の入り口へ転送され再試験を受けるハメになる(*4) 死に戻った場合、入り口の NPC と話せば全回復してくれるので、回復アイテムを浪費する必要は無い 7. その後、一見それまでと同じような部屋へと転送される 開始地点から少し歩いて、見えない壁で囲われた広間へ来たと気付く事になるまでは特に問題は無い それから先は目に見えない迷宮を通り抜けて部屋の左下隅にいる Assassin Master の傍まで行かなければならない iRO wiki の画像表示 迷路のあちこちで何度も行き詰まってしまうかも知れないが、行ったり来たりを続ける内にやがて NPC の所へ辿り着く事は出来る マウスカーソルを床のマップチップへ移動させてみて、カーソルのすぐ下に何も表示されない部分には見えない壁があり 緑色の四角い枠が表示されればその床は歩いて通る事が出来る 覚えておけば行こうと思う先から自分の現在位置までの経路を調べる為に役立つだろう 8. NPC と話すと、Assassin 達のプライドと名誉に関する問答を幾つか受ける これに合格するとお祝いとして、Dagger 若しくは Katar 類の武器１個 (Job レベルによる)、または提示された中から好きな武器 (Job 50のみ) と Necklace of Oblivion をもらえる (注意 ： Necklace of Oblivion は売る等して無くしてはいけない) 9. その後 Assassin s Guild の入り口に転送される(*5)ので、そこの NPC に Necklace of Oblivion を渡すと Assassin に転職出来る(*6) 転職祝い Thief の Job レベルによって下記にある武器×の内から１つだけお祝いとしてもらえる Job 40~49 jRO では質問への答え方でもらえる武器が変わるらしいので、これも同じと思われる Main Gauche [3] Jur [2] Stiletto [2] Knife [3] Katar [1] Job 50 こちらは選択肢で自由に選べる Jur [3] Katar [2] Main Gauche [4] Gladius [3] -Assassin ・ Assassin Cross ・ Guillotine Cross Assassin ・ Assassin Cross ・ Guillotine Cross 2nd ClassSkills Cloaking× ・ Enchant Poison× ・ Grimtooth× ・ Katar Mastery× ・ Lefthand Mastery× ・ Righthand Mastery× ・ Poison React× ・ Sonic Acceleration× ・ Sonic Blow× ・ Venom Dust× ・ Venom Knife× ・ Venom Splasher× TranscendentSkills Advanced Katar Mastery× ・ Create Deadly Poison× ・ Enchant Deadly Poison× ・ Hallucination Walk× ・ Meteor Assault× ・ Soul Destroyer× 3rd ClassSkills Antidote× ・ Cloaking Exceed× ・ Counter Slash× ・ Cross Impact× ・ Cross Ripper Slasher× ・ Dark Illusion× ・ Hallucination Walk× ・ New Poison Research× ・ New Poison Creation× ・ Phantom Menace× ・ Poisonous Smoke× ・ Poisonous Weapon× ・ Rolling Cutter× ・ Venom Impression× ・ Venom Pressure× ・ Weapon Blocking× ・ Weapon Crush× Quests Assassin Job Change Guide ・ Assassin Skill Quest ・ Rebirth Walkthrough ・ Guillotine Cross Job Change Guide Weapons× Dagger× ・ Katar× ・ One Handed Sword× Categories Thief | Assassin | Job Change Guide